London -- Great NYTimes Review of Newly Revamped Jewish Museum

Congratulations to Rickie Burman, director of the newly reopened Jewish Museum in London, and her team! The reviews of the museum, which just reopened after a multi-million dollar expansion and redesign, are glowing. The latest is in the New York Times.  The article, which describes the museum as a "carefully thought-out museum" whose expansion and redesign has established it "as an important addition to a new generation of Jewish institutions in cities including San Francisco and Warsaw,"       also has a slide show.

London -- More on New Jewish Museum (by someone who's actually seen it)

The Times of London reports on the new Jewish museum in London -- writer David Aaronovich has actually seen it.

Five years ago I first went to an exhibition at the small Jewish Museum in North London. I suppose I saw it as a rather charming bijou museum, mostly about Jews showing things to other Jews. On March 17, however, it will be relaunched as a much bigger enterprise: the museum I was taken round last week by its director, Rickie Burman, was altogether a different proposition.

The Jews are the nation’s oldest minority, and the first Jewish Museum, mostly of objects from the practice of Judaism in Britain, was opened in 1932. Much later a second museum, devoted to the distinctive history of the Jews of the East End of London, started up in Finchley. In 1995 these two institutions merged into one museum located in two terraced houses in a street not far from Camden market. The museum had already bought the premises backing on to the terrace — a piano factory — for some £4 million. Two major benefactors helped to raise nearly £6 million, to set alongside £4.2 million granted by the Heritage Lottery Fund. The museum closed in 2008 to be reshaped under the old skin of the building. Now it’s ready to emerge. 

[...]

You enter the museum through a series of moving images projected onto five screens, depicting the life and words of a variety of modern British Jews. They include an Edward Lear-bearded, accented Hasidic rabbi; a young gay Jew; an ex-army Jewish princess; the concentration-camp survivor and former British weightlifting champion Ben Helfgott; a London cabbie who had fought in the Yom Kippur war of 1973; a woman Chinese convert to Judaism; a smoked-salmon magnate; and a Guardian journalist. The films are beautifully made and the idea of representing “different ways of being Jewish” is, I think, realised.

Then, right in front of you, is the museum’s “scoop” item. In 2001, excavators in Milk Street in the City of London uncovered a sunken bath made out of green sandstone, 4ft wide and 4ft deep, reached by seven steps. Its location, on the site of a house owned by a Jewish family in the late 13th century, identified it as a mikveh, or ritual bath, typically used by women after menstruation or before attendance at synagogue.

[...]

 There is an interactive “ask the rabbi” feature, in which those who enjoyed A Serious Man can put questions to four rabbis of different denominations (Jews like to argue), and an electronic Ten Commandments. The largest gallery tells the tale of the Jews of Britain through history: the 18th-century Jewish pedlars, the Jewish bare-knuckled boxers, the Jew Bill of 1753 which had to be repealed because of public outcry over naturalisation rights given to Jews, the first Jewish public men, and so on.

Part of the display is in “street” form, representing life in the Jewish East End, and allows visitors to follow members of a Jewish family circa 1900 in their daily lives. There’s even a pot, where you lift the lid and it smells of chicken soup. Very poignant is the small collection of items left and never reclaimed from the deposit boxes in the Poor Jews’ Temporary Shelter. For children and exhibitionists there’s a chance to dress up like characters from the old, lost Yiddish theatre.

London -- Jewish Museum to Reopen after Major Transformation and Redevelopment

 By Ruth Ellen Gruber

The Jewish Museum in London reopens March 17 after a 10 million pound ($15 million) redevelopment. The new museum places Jewish history and culture in the U.K. in the wider context of British history.

The museum is located in Camden Town, at 129-131 Albert Street, London NW1 7NB.

The exhibits are divided into new galleries including

• Ground floor displays
• History: A British Story
• Judaism: A Living Faith
• The Holocaust Gallery
• Changing Exhibitions

There is also

• Education Space
• Foyle Research Library
• Café
• Museum shop

A press release last fall described the new museum  and its concept as follows:

Its new displays and exhibitions will tell the story of Jewish history, culture and religion in an innovative and compelling way and engage with people of all backgrounds and faiths to explore Jewish heritage and identity as part of the wider story of Britain. The only museum in London dedicated to a minority group, the museum’s expansion and redevelopment was made possible following a £4.2m grant from the Heritage Lottery Fund.

One of Britain’s oldest minority groups, the Jewish community has made a vital contribution to British life. From banking and business to fashion, entertainment and food, many sectors have benefited from the energy and talents of the Jewish community who have come here from all over the world. At the same time, the story of the Jewish people reflects the experiences of other immigrant groups settling in a new country, seeking to make a new life while retaining their identity and traditions. The new museum brings this experience of immigration to life through internationally important collections of artworks, artefacts and photography, as well as ground-breaking interactive displays.

Displayed across four permanent galleries, the huge variety of objects, films, photography, hands-on exhibits and personal stories on display will paint a rich and nuanced picture of British Jewish life and religion as well as exploring contemporary social issues around immigration and settlement. The new museum will also house a Changing Exhibitions Gallery, a 100-seat auditorium, an Education Space and a café and shop.
Highlights from the four permanent galleries include:

• A highly evocative recreation of an East End street and tailor’s workshop brought to life with different characters talking about their lives at home and at work.
• A map showing where Jews have come from around the world, embedded with highly personal objects that they brought with them to their new country, for example a doll brought by a child refugee on the Kindertransport and a bible which was the only object an anti-apartheid activist was allowed to take with him into solitary confinement in prison in South Africa.
• Rare and precious ceremonial objects including a 17th century Italian Ark and the oldest English silver Hanukah lamp.
• A Yiddish theatre karaoke presented by comedian David Schneider, whose grandparents were performers in London’s Yiddish theatre, displayed with costumes, posters, programmes from the museum’s extensive collection.
• A medieval mikveh (ritual bath) from the 13th century, on display for the first time since its discovery in 2001 in the City of London.

The four permanent galleries are:

• Welcome Gallery – This innovative multimedia exhibit is the first you encounter as you enter the museum. It introduces visitors to a diverse range of Jewish people including a third generation smoked salmon manufacturer, an Indian-born marathon-running grandmother, a taxi-driver and an ex-army engineer who was commended for her action during the London bombings of 2005.
• History: A British Story – Visitors can play the Great Migration board game, or smell the chicken soup in an immigrant home. The Same Old Story? interactive display allows visitors to explore attitudes to immigration over the past two centuries. This gallery explores how and why Jewish people have come to the UK from around the world and the challenges of making a new home in a new country.
• Judaism: A Living Faith – Newly commissioned films in this gallery will reveal a range of contemporary Jewish families celebrating festivals and Jewish lifecycle events such as a wedding and bar mitzvah. These are shown alongside rare and beautiful ceremonial objects including silver Torah scrolls made by George III’s silversmith and religious textiles, such as a fabulous Torah mantle commissioned by the Mocatta family, one of the oldest Jewish families in Britain. Interactive displays enable visitors to design their own synagogue and to hear the chanting of the Ten Commandments from a Torah scroll.
• The Holocaust Gallery ­ this unique space explores the impact of Nazism through the experiences and poignant personal items of London-born Auschwitz survivor Leon Greenman OBE and other survivors who have made their home in Britain.

The first temporary exhibition, Changing Cultures, will explore cultural exchange, migration and identity through the work of contemporary artists from immigrant backgrounds living in Britain including Noa Lidor, Yara El-Sherbini, Mona Hatoum and Sonya Boyce amongst others. Planned future exhibitions will cover themes from Jews in Entertainment to Jewish food and comic book superheroes.

The new museum has been designed by Long & Kentish Architects, an award-winning practice who have a long history of developing museums and galleries including the British Library Centre for Conservation, Pallant House Gallery, Chichester (Museum of the Year 2007) and the National Maritime Museum in Falmouth. The new museum triples the space at its Camden Town site, combining its premises in Albert Street with an adjacent former piano factory.

Rickie Burman, Director of the Jewish Museum said: “What it means to be British and the issue of cultural identity has never been more hotly debated. At the new Jewish Museum we explore these issues in the context of one of Britain’s oldest immigrant communities. We hope our ground-breaking new displays will inspire people to take a stand against racism and build interfaith understanding and connection."

The Jewish Museum London brings together two distinguished museums with complementary collections - the Jewish Museum and the former London Museum of Jewish Life. For the first time these important collections will be brought together on a single site.

The Jewish Museum was founded in 1932 and merged in 1995 with the London Museum of Jewish Life, which was created to preserve the disappearing heritage of London’s East End. While the East End has remained an important focus, the museum expanded to reflect the diverse roots and social history of Jewish people across London. It has also developed an acclaimed programme of Holocaust and anti-racist education.
Between 1995 and 2007 the combined Jewish Museum ran on two sites, but with a long-term aim to find the means to combine the two collections, activities and displays within a single site. In 2005 the Heritage Lottery Fund awarded a grant of £4.2 million towards the museum’s development project and following years of planning and fundraising, building work started in January 2008.

The Jewish Museum’s collections of ceremonial art are among the finest in the world. In recognition of the outstanding importance of the museum’s collections as part of Britain’s national heritage, the Jewish Museum has been awarded Designated status by the Museums, Libraries and Archives Council, one of only 14 museums in London to be awarded this special status.

Long & Kentish The partnership of MJ Long and Rolfe Kentish was formed in 1994, but the experience of the partners goes back many years before, when they were with Colin St John Wilson, working on the new British Library. The practice’s current projects include the Durlston World Heritage Gateway Centre, The University of Essex Centre for Latin American Art and an apartment building in Falmouth. MJ Long was born in the USA and studied at Yale. She has lived in England since 1965, and worked with Sandy Wilson from 1965 to 1996. MJ also ran a separate practice, mostly designing studios for artists, from 1974 to 1996. In 2009 she was awarded an OBE for her services to architecture and architectural education. http://www.longkentish.com/
Event Communications is responsible for exhibition design of the new galleries at the Jewish Museum. Event is Europe’s leading exhibition design group, recognised as a pacesetter for pushing the boundaries of existing practice and constantly exploring new ways to interpret, present and connect with audiences.

Vienna -- Michael Jackson and the Jewish Nose

In Vienna this weekend, I visited the Jewish Museum to see the exhibit "Typisch!" -- about Jewish and other ethnic stereotypes. The exhibition already has shown at the Jewish Museum in Berlin and at the Spertus Museum in Chicago. What should I find as one of the exhibits? Michael Jackson, who else....

So -- here's my latest Ruthless Cosmopolitan column about the experience.....

Poster for Typical!," an exhibit at the Jewish Museum in Vienna that features a photo of Michael Jackson used to illustrate how the singer tried to crush stereotypes. (Ruth Ellen Gruber)

Ruthless Cosmopolitan: Michael Jackson and the Jewish nose

By Ruth Ellen Gruber - June 29, 2009

VIENNA (JTA) -- Amid all the noisy outpouring over Michael Jackson's sudden death, the last place I expected to find him was in a Jewish museum. But there he was, his pale, mask-like, surgically engineered image featured as part of an exhibition at the Jewish Museum in the Austrian capital.

Called "Typical! -- Cliches of Jews and Others," the exhibition deals with the use (and abuse) of ethnic stereotypes in popular culture. The exhibition, which runs until October, has been shown at the Jewish Museum in Berlin and the Spertus Museum in Chicago.

It was assembled long before Jackson died June 25 in Los Angeles.

In a life-size photograph from 2002, he is shown with lank black hair framing a long, square stubbly chin, pinched red mouth, huge made-up eyes and a tiny nose with distorted pointy tip.

The photo is used to illustrate how, for better or worse, the King of Pop attempted to destroy stereotypes and, literally, to cut himself away from the confines of physical definition.

Jackson's "surgical transformations mirrored back to the culture the blurring of boundaries demarcating adulthood, sex and even race," Guy Trebay wrote in The New York Times after Jackson's death.

The "Typical!" exhibition deals with stereotypes commonly used to categorize African Americans, Muslims, women, Native Americans and others.

But given that it is mounted at a Jewish museum, much of its focus is on stereotypes about Jews. The exhibition poster employs a few sketched strokes to conjure up some: corkscrew curls, a hat and a huge hooked nose.

Indeed, the multitude of variations on the (alleged) size and shape of the Jewish nose form a major theme.

"The paradigm for the 'typically Jewish' nose originated in the craniological studies of Johann Friedrich Blumenbach," an information panel informs. A German natural scientist who died in 1840, Blumenbach "claimed to have evidence that Jews had an especially prominent nasal bone."

Exhibit installations examine the misuse of this and other paradigms in "scientific" teaching, as well as the ways in which they became part of the vernacular shorthand that shapes the way we see others and ourselves.

A section called "the schnoz," for example, shows a collection of 19th century walking sticks whose handles are formed by exaggerated noses. The contemporary artist Dennis Kardon's installation "Jewish Noses” features dozens of larger-than-life-sized casts made from the noses of actual Jews to demonstrate the silliness of such nasal cliches. Also, a modern painting ironically comments on the love and success that are supposed to result if one has a nose job.

"I am often asked whether or not Jews have a 'Semitic' nose," reads an exhibition quote by the historian Sander Gilman, who has written extensively about Jewish stereotypes. "After 54 years of experience, I can only answer that every Jew I have ever met has a nose."

The inclusion of Jackson's picture in the mix highlighted the transformations his own nose infamously went through.

It also reminded me of a book I read some years ago, a vicious anti-Semitic satire called "The Operated Jew," that was written in 1893 by a German doctor named Oskar Panizza.

An attack on efforts by Jews to assimilate into mainstream society, the book is a creepy and extremely disturbing tale about how a Jew named Itzig Faitel Stern tries to rid himself physically of the stereotypical signs of his Jewishness and become a "modern" European.

Foreshadowing Jackson's experiences under the knife, Stern submits to radical procedures, including the straightening and bleaching of his hair, "Extreme Makeover"-style cosmetic surgery and a series of horrendous operations to straighten his bones. He even gets a full transfusion of "Christian blood."

"It is impossible for me to give the reader an account of all the garnishings, changes, injections and quackeries to which Itzig Faitel Stern submitted himself," the narrator states. "He experienced the most excruciating pain and showed great heroism so he could become the equivalent of an occidental human being."

In the end, it doesn't help. At his wedding to a Christian woman, all falls apart and Stern "reverts" to the ugliest anti-Semitic cliche of the Jew.

Panizza, an early exponent of Nazi-style racial anti-Semitism, set out to "prove" that Jews could never become part of the mainstream modern world, even if they physically attempted to change their skins.

It's not exactly clear what world Jackson was trying to become part of -- or leave -- with his surgeries and other transformations.

Artistically he was the ultimate crossover, winning fans of all colors, ages, religions, nationalities and sexual orientations all around the world. Over the years, though, he alienated some African Americans by his physical manipulation of identity and apparent ambivalence about his own blackness.

Death, though, appears to have brought Jackson back to his roots -- or in any case to a warm embrace by the African-American community.

“We want to celebrate this black man," the actor and singer Jamie Foxx said to cheers at the Black Entertainment Television Music Awards Sunday. "He belongs to us, and we shared him with everybody else.”

Foxx added, "It didn't matter what he looked like, it was all about what he sounded like. It didn't matter what his nose looked like -- I loved the old nose and the new nose."

Read Story on JTA

Switzerland -- Guided Tours at Jewish Museum

This summer, the Jewish Museum in Basel, Switzerland, is sponsoring one special guided tour a month of its current exhibition "Strange Objects Stepping Out of Line" which is describe as:

A journey to the world of Jewish curiosities. Objects from everyday-life, religious ceremonies and history have been chosen as they differ in their material, shape or intended use from the ordinary items of the collection.

The exhibit runs til the end of the year. Tour dates are June 21, July 19, August 16 and September 6 -- the European Day of Jewish Culture.

Find information HERE

Poland -- Warsaw Museum Inches Ahead, More Quickly

The new Museum of the History of Polish Jews is one step closer to realization. The Museum reports that a contract has been signed with a Polish construction company, and actual work could commence as early as next month. The deal was made April 30.

Here's what the Museum says:

Five companies answered the call for tenders issued by the Warsaw City Development Board.The winning bid, estimating Museum construction costs at PLN 152,3 mln gross (USD 43.5 million as of 30.04.09), came from the Polimex-Mostostal/Interbud-West consortium. After accepting the offer when asked to comment, Robert Supeł, Museum Deputy Director for Finance and Operations, could not contain his excitement: “If yesterday’s decision is not contested, the contract with the consortium will be signed before the end of this month and construction will start very soon thereafter. This means that the Museum of the History of Polish Jews will open in the summer of 2012 at the latest.” Under the contract, the builder has 33 months to complete the project. After the building is completed, a few months will be devoted to equipping it and completing installation of the multimedia core exhibition – already being developed by an international team consisting of scientific experts from Poland, United States and Israel and designers from the UK.

Polimex-Mostostal is Poland’s largest engineering-construction company with experience especially in steel constructions which is very important when it comes to the construction of the unique free form wall of the Museum. The company posted an income of PLN 4.3 billion in 2008 (15% more than in 2007) and is among the 20 blue chip companies quoted on the Warsaw Stock Exchange. It carries out both large construction and industrial projects (motorways, railways, power plants, Legia stadium in Warsaw, Wisła stadium in Kraków) as well as special cultural projects (the Chopin Centre and the University Medical Library in Warsaw, the Artistic Education centre in Gorzów Wielkopolski).

mn

Warsaw, 9.05.2009

Warbud S.A. which also participated in the tender filed an appeal on May 8. The company’s offer was worth PLN 163.3 million. The appeal is under consideration. It should be resolved within 10 days.

Prague -- Heads Up for Summer Exhibition on Rabbi Löw

Sign for Golem Restaurant in Prague. Photo (c) Ruth Ellen Gruber

This Sept. 7 marks the 400th anniversary of the death of the famous Rabbi Judah Löw ben Bezalel --a renowned scholar known as the Maharal and also the legendary creator of the Golem, the artificial man brought to life to defend Prague's Jews who then ran amok, was deactivated and then hidden in the attic of the Old-New Synagogue.

Prague is gearing up to mark the date with events including a major exhibition jointly sponsored by the Jewish Museum in Prague and Prague Castle.

This exhibition aims to trace the Maharal’s life and work and to examine the image of this scholar in the eyes of his contemporaries and succeeding generations. Few people have attracted such a broad range of admirers, including those with starkly contrasting religious, philosophical and cultural views. There is a cavernous divide between the historical Maharal and the predominant image of him today. This fact is of such importance that it serves as the basis for the exhibition concept.

The exhibition, called "Path of Life," runs August 5-November 8 at the Royal Stables . The exhibit is divided into two main parts, one focusing on the historical Maharal and the authentic traditions connected with him, while the second will look at Rabbi Löw's legacy and the origin of the legends that are linked to his name.

The idea of the Maharal as the personification of the mystery of the ghetto, a miracle worker, mathematician and creator of an artificial being may not be historically grounded but it has provided immense inspiration for literature, drama and art. The historical and the imaginary Maharal both have a right to exist.

A major catalogue of the exhibition will be published in Czech and English, and other events and exhibits are also planned.

Already on June 3, an interactive installation called Golem, by the artist Petr Nikl will open at the Jewish Museum’s Robert Guttmann Gallery (it will run until Oct. 4).

Prague -- Michelle Obama Visits the Jewish Quarter

Photo (c) Jewish Museum Prague

While President Barack Obama held his political meetings, his wife Michelle became the latest of the millions of tourists who have visited Prague's famous Jewish quarter. She was accompanied by two of her husband's top advisors, both of them Jewish -- Rahm Emanuel and David Axelrod -- and also met local Jewish leaders.

Here's the press release put out by the Museum:

The First Lady of the United States, Michelle Obama, accompanied by the US president’s chief of staff Rahm Emanuel, and David Axelrod, political consultant, visited Prague’s Jewish Town today. Mrs. Obama first looked round Pinkas Synagogue, where she honoured the 80,000 Jewish victims of the Shoah from Bohemia and Moravia, whose names are inscribed on the synagogue walls. After listening to an exposition on the prayer house’s history, the First Lady was particularly interested in the story of the children’s drawings from the Terezín ghetto, over 200 of which are on display on the upper floor of the synagogue. Michaela Sidenberg, the Curator of Visual Arts at the Jewish Museum in Prague, said: “In preparing the museum tour for the First Lady, our starting point was what Michelle Obama has indicated several times in the past, namely that in her role as First Lady she intends to devote herself also to supporting programmes that focus on child education and on the importance of parents’ involvement in the education process. I believe that the experimental educational programme that the avant-garde artist Friedl Dicker-Brandeis (1898–1944) organized in Terezín and the children’s story itself were of great interest to the First Lady. In addition to the copies of artworks on display in the permanent exhibition, Mrs. Obama also had the opportunity to see an original collage by Marie Mühlstein (1932–1944), who, like the majority of children imprisoned in Terezín, did not survive the Nazi persecution.” After her tour of Pinkas Synagogue, the First Lady then went to the Old Jewish Cemetery, where she stopped by the graves of important figures from Prague’s Jewish history: the scholar and poet Avigdor Kara, whose tombstone (dating from 1439) is the oldest in the cemetery; the distinguished patron and mayor of the Jewish community Mordecai Maisel (d. 1601); and the renowned rabbi and Kabbalist Judah Loew ben Bezalel – Rabbi Loew, also known by his acronym MaHaRaL (1525?–1609) – who is the most important figure buried in the Old Jewish Cemetery and who died exactly 400 years ago. Following the old Jewish tradition, the First Lady placed a kvitl – a folded piece of paper with a personal wish – on the rabbi’s grave. Leo Pavlát, the Director of the Jewish Museum in Prague, added: “It is a great honour for us that Mrs. Obama chose to visit Prague’s former Jewish Town among other sights of the city. This testifies to the uniqueness of the Jewish monuments and to the important role that an awareness of Jewish culture can play in education, the promotion of tolerance, democracy and the sharing of human values. We co-operate with a number of institutions throughout the world and along with Prague Jewish school and kindergarten receive support from the U.S.-based Ronald S. Lauder Foundation, which is of great importance to us. We are pleased that Mrs. Obama also expressed interest in this area of our activities.” After visiting the Old Jewish Cemetery, the First Lady then went to the Old-New Synagogue, which is the oldest European synagogue that is still used for religious purposes. She was greeted there by representatives of the Czech Jewish community: the Chief Rabbi of the Czech Republic and Prague Efraim Karol Sidon, the Chairman of the Federation of Jewish Communities in the Czech Republic Jiří Daníček, the Executive Director of the Federation of Jewish Communities in the Czech Republic Tomáš Kraus, and the Chairman of the Jewish Community in Prague František Bányai with his wife. Looking round the interior of this unique Early Gothic building, Mrs. Obama’s interest was captivated particularly by the historical banner of the Prague Jewish Community with its emblem, the adornment of the Torah Ark and the seat on the east-facing side, which according to tradition belonged to Rabbi Loew. The Chairman of the Jewish Community in Prague František Bányai commented: “Mrs. Obama was probably pleasantly surprised by the atmosphere and history of the Old-New Synagogue. Her visit was a quite extraordinary event in the synagogue’s more than 700-year history.” The First Lady of the United States was presented with a Kiddush cup and memorial medal for the 700th anniversary of the Old-New Synagogue by the representatives of the Czech Jewish community and several publications by the Jewish Museum.