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Moon ShotLodz, Poland - Lodz' Jewish cemetery is an impressive sight, with its long avenues, old trees, mausoleums that look like ancient temples and thousands of headstones. Some are badly weathered and it is impossible to read the inscriptions on many. Graves are covered in ivy and most of them date back to before the Second World War.[...]
The Jewish cemetery has some stunning examples of opulent graves built by a middle class who were prepared to spend almost as much money on mausoleums as they did on houses for the living.
In his day, Izrael Poznanski, for example, was the most well known Jewish factory owner in the city and accrued a fortune from textile manufacturing. He lies buried with his wife Leonia in a mausoleum that cost a fortune to build.[...]
There are many other fine examples of ostentatious graves in the cemetery. The tomb of the Prussak family is a domed roof supported by four columns with four steps. Many of the tombs were built in the art nouveau style, such as that for the Rapppaport family.
The parents of the classical pianist Artur Rubinstein are also buried in the cemetery. Their comparatively simple gravestone survived the war along with thousands of other ordinary headstones. The headstones are usually made of sandstone or limestone and are often decorated with a Star of David or a hand in blessing. The image of a book indicates the headstone marks the grave of a learned person.
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Przysucha was a major center of Hasidism in Poland -- Martin Buber mentione d seven Tzaddikim from the town. It was the seat of the influential Hasidic masters Abraham of Przysucha (d. 1806) and Jacob Yitzhak ben Asher (1766-1813), known in lore simply as the Holy Jew of Przysucha, who is credited with being the first propagator of Hasidism in Central Poland. Jacob Yitzhak's disciple Simcha Bunem (1784-1827) also lived here. Their tombs in the Jewish cemetery, which is near the synagogue, are places of pilgrimage.On October 26th, 2009 in Przysucha representatives of the Foundation for the Preservation of Jewish Heritage in Poland will meet with representatives of the local NGO’s: Oskar Kolberg Cultural Society and Music Education Society as well as the Oskar Kolberg Museum in Przysucha. The meeting will be dedicated to the concept of the historical synagogue’s development.
In 2008, we carried out essential protective renovations, but the building still needs urgent repairs. The roof is in a very bad condition and the interior is rapidly deteriorating due to excess moisture. Currently we are working on the construction and conservation documentation. Once it is completed, we will be able to apply for funding necessary to start the restoration and adaptation works.
The synagogue in Przysucha (yid. Parshishe vel Przishe) was built between 1774 and 1777. With an area of nearly 600m², it is a massive limestone building towering over a small town (current population: 6800). The main prayer chamber is rectangular, with a vaulted ceiling descending in the middle towards a four-piered structure formerly framing the bima (reader’s podium). The aron ha-kodesh, framed by a portal topped with stucco griffins, has also been preserved. Some polychromies remain on the walls.
From childhood I used to listen to my parents descriptions of the Kielce synagogue. This synagogue was the symbol and pride of the Jewish community of Kielce. It was like Jerusalem for the Jews in Kielce and their center of life. It appeared on every document, book, letterhead related to Jewish Kielce. It was the community icon. Whenever I told somebody that I visited the synagogue they asked me whether the wonderful ceiling paintings are still there.
I am not a religious person, I don't know to pray and if I went to synagogue it was mainly during my and my sons bar mitzvah when I also "went up to the Tora" - keeping the Jewish tradition. I never had a dream to pray at any specific place, or at all, neither in the Kielce synagogue but apparently when it happened it became another bar Mitzvah for me.
When I was 13 years old I went up to the Tora in our local synagogue surrounded by all my family members and friends. Being a good musician, I learned to sing the Brachot, Aftara and Maftir as a real Hazan. I remember very well the excitement and how my parents were proud. This was almost 50 years ago.
Last weekend I was standing there in the Kielce synagogue during the praying, once again surrounded with many friends, Jews and non Jews among them the chief Rabbi of Poland. I slowly started to feel excited and realized that I am celebrating a second bar mitzvah but this time without the presence of my family members. Then instead of looking into the Sidur, I started to think of each and every one of my family members who lived in Kielce and prayed in this same place and slowly slowly I started to feel their presence. And when Rabbi Schudrich invited me to the Tora, instead of saying the Brachot I suddenly started to sing them at exactly the same melody which I was singing when I was 13 years old and which I never repeated since then. I felt that I came to Kielce to celebrate my Bar Mitzva once again after 49 years, this time with my grandparents, great grandmother uncles, cousins and other family members that lived in Kielce and could not attend my first 13 years bar mitzvah. I hope that they have been proud of my singing as were my parents when I was 13 years old.